Yusef Lateef Live at Pep's

From a recent digging trip, I came up with a stereo copy of Yusef Lateef's Live at Pep's LP. The cover is in great shape, and you know how those Impulse! LPs from the 60s look-- nice glossy covers with sharp color photos. The disc itself was in VG + shape. I was sold.

Since it is an unbelievably dreary Sunday afternoon, it seems like a great time to share some jazz.

The personnel on this set include:
Yusef Lateef tenor sax, oboe, argo, and shannas
Richard Williams trumpet
Mike Nock piano
Ernie Farrow bass
James Black drums.

Recorded June 29, 1964

Also of note, Rudy Van Gelder engineered this disc. Having been a more passive consumer of jazz, I am looking to make it a more active endeavor, and to that point, Mr. Van Gelder seems to show up on a lot of sets that I find pleasing.

Mr. Lateef draws from a wide range of influences and uses the oboe to great effect on this set. Some of the more out there instruments argo and shannas are put to use and end giving a distinct feel to his musical selections.

To that end, here is a track called The Magnolia Triangle from side two of Live at Pep's. That odd tone at the beginning and at the end of the track is produced by the aforementioned argol. Apparently this is a "twin piped reed instrument from Syria." It reminds me of some of the Pipes of Pan type noises that are all over the Master Musicians of JaJouka...

I especially dig on the drum break and the ensuing section, where the trumpets hooks up into the groove.

I thoroughly enjoy this LP, go out and find a copy for yourself!

Download Magnolia Triangle here

Back From The Depths-- Cratedigger Knocking Shop Mix

Hey All.

Sorry I have been MIA. I have been traveling to pay the bills. but trying to get some digging in wherever my travels have taken me.

I also experienced the loss of my trusty mac book, so that has been a bit of a setback.

In celebration, I have gone deep into the cratedigger vault to assemble a mix of art rock that I call the knockingshop.

I am sure that I will catch some grief for this, but I don't really care. As long as the music is weird, the guitars(sometimes) are loud, and the end result doesn't verge too close to prog, I am pretty comfortable with the genre.

For me, art rock seems to spin around the central hub of Brian Eno. He (or his direct influence) touches many of the tracks on knockingshop. He performs, directs and sometimes produces various items on this sonic menu.

Adrian Belew is another character that has his sonic fingerprints all over the mix. His wailing guitar stylings are a hallmark of artrock as well, methinks.

All of the tracks were gathered from original LPs that I had collected in various crates around the homestead. I had a lot of fun taking a trip down memory lane putting this one together. Hope you dig it.

Here is the tracklist:

cratedigger knockingshop

01 DJ David Bowie
02 Lone Rhino Adrian Belew
03 Third Uncle Eno
04 Man Machine Kraftwerk
05 Worlds in Collision Jerry Harrison
06 Cars Gary Numan
07 Miss Shapiro Phil Manzanera / 801
08 Cross Eyed & Painless Talking Heads
09 Trash Roxy Music
10 Neil & Jack & Me King Crimson

Download here

DJ Colonel Radio Joint

Old friend, DJ Colonel sent me some of his radio shows. As you might remember from a few months back, I posted a few DJ Colonel mixes. The show below is from his Bend OR radio program.

I don't think that he is podcasting yet, but in DJ Colonel's own words, "Come on daddyo, give dem people what you know they need. peace, colonel."

Here tis:

01 Caution Bob Marley & The Wailers
02 Dub The Line Gregory Isaacs
03 Watermelon Man Baba Brooks Band
04 No Time ft. Military Man Capelton
05 Reggae Fever Steel Pulse
06 Picture on The Wall Lion Inn Jungle
07 Gone Down Dezarie
08 The Killer Jah Stich
09 Ganja Plant Rider 10 ft Ganja Plant
10 Pass De Kahn Abja
11 Effortless Dub Greenstars
12 Free Man The Ethiopians
13 El Pussycat Roland Alphonso
14 World a Reggae Ini Kamoze
15 Hustler Ky-mani Marley

Download here

A New Cratedigger Mix -- Down and Dirty

This time around in cratedigger labs, I mixed it up a bit and there is a mixture of soul, funk and more jazz grooves than I have thrown down in the past.

I have been working on the new gear to get the best sound, so I hope that I was successful. I think I made all the fades...

I call it "Down and Dirty," Dig It!

Here is the track list:
01 Intro Christopher Recordings
02 Here Come The Judge Shorty Long Soul
03 Sho Nuff Jimmy McGriff Sunset
04 A Funky Space Reincarnation Part II Marvin Gaye Tamla
05 Cloud Nine Temptations Gordy
06 Huracan Cal Tjader Crystal Clear
07 Hey Big Brother Rare Earth Rare Earth
08 Party Freaks Pt 2 Miami Drive
09 Hey Mr. DJ Bobby Moore Checker
10 Kufanya Mapenzi (Makin Love) Ramsey Lewis Columbia
11 Got Pleasure Ohio Players Westbound
12 Stop Her On Sight (SOS) Edwin Starr Ric-Tic

This mix was compiled from all original vinyl sources, most of them being the 7 inch 45 variety. The records themselves were found in the bottom of dusty crates in and around Chicago and the northern IL area.

Support your local vinyl destination. F the 'Bay!

Download here

Also, please leave a comment, literally 100s of folks are downloading my mixes, but I am getting hardly any feedback.

follow up to cratedigger labs with shure whitelabel action

Based on the post below, this is a follow up in getting my 1200s set up for success in the sonic realm.

I got a replacement Shure Whitelabel cartridge and stylus in the mail. This package contained some instructions, which helped me set up the turntables correctly, finally.

I put the new cartridge on the right 1200 which had the quieter cartridge as judged by listening the the loud Ramsey Lewis 45 as described below.

The directions instructed me to take the tonearm off the rest, and then crank the counterweight all the way back so that they tonearm is sticking up in the air, kind of like a seesaw with a fat kid on one side. Then, I turned the counterweight so that it was "floating" just above the Material record that I had on the platter. I then set the dial on the tonearm to the zero setting. Next I moved the counterweight so there was 2 grams of force on the tonearm. I then spun the Material LP and it tracked perfectly. It's sonic output was also boosted, so my replacement is deemed a success.

I then set up the left 1200 with the counterweight set up as described above. I tracked a Tangerine Dream LP from 75 and it tracked perfectly as well.

A successful day in the lab, after a 60 mile road trip in the funkwagon in search of more vinyl.

Shure White Label Cartridge deep in cratedigger labs

I have been using Shure White Label cartridges that came with the 1200s that I bought a few months back, and I thought that they sounded pretty good. I even spent the money to get some new styli so that I wouldn't be killing my vinyl with worn needles...

I recently upgraded the mixer and over the weekend, I set out to make a mix of some of my recent finds. I hooked up my macbook to my amp, fired up garage band and started mixing.

Listening, and watching the meters in GB showed that one of my tables was much quieter than the other. At first, I chalked this up to the fact of the variety of mastering levels, mono v. stereo etc. So I finished up the mix with the 45 of Makin' Love by Ramsey Lewis. This is a pretty loud and full sounding groove on any day, but on this day it was darn near deafening.

Something was up. I took the record and put it on the right table, and it was definitely quieter. Next I switched the whitelabels from one table to the other. Now the right table was louder, and the left was the quiet one. I then switched the styli from one to the other. That did not have an effect on the Ramsey Lewis 45. The same right 1200 was louder than the left. So I don't think that the styli are the culprits.

One of my whitelabels is more quiet that the other. I verified by listening to the mix that I made, and there was only so much EQ, that I could throw into the mix after the fact.

Early this morning, I ordered another whitelabel. Once I get it, I will match the new with the better of the two cartridges that I currently have.

From the Crates...

I thought I would share some thoughts about some recent LPs and tracks that I have come across.
The Chambers Brothers Greatest Hits. The title is a misnomer, of course. I am not a Billboard Hot 100 scholar, but really come on "Time Has Come Today" is the only hit I know of. The set opener "Funky" has a nice short break at the beginning. The LP version of "Time Has Come Today" has a much longer freak out / jam/ break than the 45 version that I have had for years. Look for this break to appear on a cratedigger labs release in the near future, sound pilgrims.

Side 2 contains a track that has much backwards weirdness and sound effects ala "Time Has Come Today" and was a nice treat that I had not heard before.

The name checking the Eric Burdon does on the track Monterey has not aged very well. The music is light as well. Not any of the Gratefully Dead unreleased single swagger is evident. Searh that track out as it has Burdon's growl, backwards guitars like Hendrix, and has that heavy acid sound that Chas Chandler (early Animals bassist, Jimi manager) became known for.

My ears perked up a bit when the stereo effects of "Closer To The Truth" where a blues dirge and and out of tune guitar line and twisted in a most peculiar way.

The hippie acid and horns concoction that M. Burdon brews up on this release is nothing to get charged up about. His acid soaked lyrics suggest a sophomoric obsession with Louis Carroll type topics. I won't be spending much time with this one.

New Years Shouts!

I have been checking out some stuff lately, and to paraphrase good buddy Iowahawk,

"The House Recommends" the following:

Kid Dyno and crew has a great new podcast called Breaks for Days Radio. Check it out. Admittedly, I am not much of a hip hop head, but Kid Dyno put together a cool mix with which I enjoyed expanding my listening palette.

Vincent @ Fufu Stew has a New Year's Mix called Fufu Funk Mix #4 1/2. How deep are his crates? I can't believe the volume and quantity of the mixes that he shares with us all...

DJ Blueprint is continuing his guest mix series at This is Tomorrow. There is always something new there- either a new mix, a dusty 45, or something else cool, such as the list he shares dedicated to all of the music people who left us in 2007. Definitely check this one on the regular.

Scholar at Souled On, has a feature called "Cover My Ass" on offer. Here he shares the history behind a track and then serves up a cover version. The quality of writing here, truly allows Scholar to live up to his moniker. Learn something...

Heavy Soul Brutha Dave has a new mix up called Four Quads per Channel Mix. Dave is pushing a tribute to the 70s with this mix of LP tracks. Check it out.

Support your fellow bloggers!

New Spot for Diggin'

Hey All,

I was very excited to find a new digging spot out in the hinterlands of northern IL, roughly the area that was hit by tornado action earlier this week due to the extremely warm and unseasonable weather here in the scenic Midwest.

For a 35 mile (one way) trip, I think I may have a new place to hit again and again. This place has tons of LPS and upon leaving, I discovered that they also have a lot of 45s that need to be sorted as well. I shall return with the Vestax portable, hopefully on Saturday.

From a quick visit, I came up with the following:

Beau Brummels Laugh Laugh Autumn
Budgie S/t MCA import
Eric Burdon and The Animals The Twain Shall Meet MGM
Chambers Bros. Greatest Hits Columbia
Bill Cosby Why Is There Air? Warners Honestly, I love Cos' 60's comedy. I am hoping to score some of his funk 45s... Hey Hey hey.
Temptations Cloud 9 Gordy

There is a ton of stuff that needs to be in me crates, there, I can feel it.

A belated holiday gift...

I felt that the cratedigger reference system needed an upgrade, especially since I was never a fan of the old mixer, anyway.

I picked the above Vestax online (with free shipping and no sales tax, to boot). I hooked it up the other night, but last night gave its' first real workout.

There is quite a big sonic upgrade over the last mixer. The actual sliders and the fader seem to be of higher quality as well. We will see.

I am considering getting some powered monitors in the upcoming months. This unit has xlr outputs, which should allow for more brick rattling sound.

December 24th Mix

Happy Holidays and Happy New Year to all cratedigger visitors and regulars.

I think that this blog and my knowledge of music has come a long way over the past year. Thanks for stopping and for all of your input (and comments.)

In thanks, please find the latest mix from cratedigger labs, imaginatively titled dec 24 mix.

I have culled these sides from a variety of real world sources, junk stores, record shops and garage sales, mostly from the Northern IL area, but there are a number of tracks that were rediscovered on a recent trip to SF.

The odd pic above is from a house party during last summer.

Hope you dig. Best in 2008!!!

dec 24 mix tracklist

01 Intro-Shure Brothers
02 Detroit Emeralds I Bet You Get The One (Who Loves You) Westbound
03 Intruders Turn The Hands Of Time Gamble
04 Stereo’s Stereo Freeze Pt. 1 Cadet
05 Meters Sophisticated Cissy Josie
06 Dynatones The Fife Piper HBR
07 Solomon Burke I’m Leaving on That Late Late Train Chess
08 Kool & The Gang North, East, South, West De-Lite
09 Simtec & Wylie Nine Times Out Of Ten Mercury
10 Chi-Lites Being In Love Brunswick
11 Lonette McKee Save It (Don’t Give it Away) Sussex
12 Rufus Thomas The Funky Penguin Pt. 1 Stax
13 Swamp Dogg Do You Believe Elektra
14 King Curtis 8th Wonder Atco

Download here

RIP Ike Turner

I vividly remember the first time that I saw Ike and Tina perform, when I was but a wee lad. It was a Saturday morning in the very early 70s. I was at the Sears store with my pops and he was buying some tools or something, but as usual, I got distracted in the electronics department.

Soul Train, or some similar show was on all 40 black and white and "living" color tv sets. The main thing that I noticed was that the volume was cranked on all the sets, when usually the volume was muted.

There was this incredibly hot woman in the shortest of skirts and the tallest of boots (silver, perhaps?) that was singing he lungs out in front of a tight band that was bordered by a series of HUGE Orange speaker cabinets. I was staring at the biggest set and one of the sales dudes, said, "Hey Lil' Man, you're watchin' Tina Turner!!!" I think the song was Proud Mary.



At the time, I had no idea what role Ike Turner played in any of this, but as a little kid in Chicago, I thought this was up there with James Brown, Stevie Wonder and The Jackson Five.

I was traveling today, so more out of the pocket than normal, when I saw in the NYTimes that Ike Turner had passed away in San Diego at the age of 76. He was known as both Izear Luster Turner Jr and Ike Wister Turner and was born in the Delta town of Clarkdale Mississippi.

It boggles the mind to consider that Ike wrote the song Rocket 88 (at least the intro and 1st verse) all the way back in 1951! That was 20 years and more before I was grooving to Ike & Tina in the early 70s. I learned about the Jackie Brenston and the Nightcats much later in my life, but I still enjoy hearing it even now. I can't imagine what an effect a song like that may have had way back then. The Times said Ike was paid $20 for the record that went on to sell 500,000 copies on Chess Records.

In 1958, he was working the St. Louis scene and met Anna Mae Bullock, whom he later named Tina Turner. I will spare all the detail of their ups and downs as they are well documented elsewhere.

As always, music always speaks better than words anyway. The music lives forever.

In remembrance, here is an Ike and Tina funky track that I included on a mix earlier this year, Funkier Than A Mosquitos' Tweeter.

Link

Some Digs in SF

I got back from a few days in the SF Bay Area recently. In my spare time, I hit some of the vinyl emporiums around town. I visited a total of 5 stores. I felt that 2 were worthy of a return visit.

I love that city. I can only imagine what shows up at house sales. It also seems that Serrato/Skratch has taken over all DJ booths. Vinyl has fallen from favor. I bet if you look it is all over the place...

I came up from the depths with the following:

LP

An Audio Obstacle Course- Shure Trackability Test Record for Stereo Cartridges

45s

Byrds Feel A Whole Better Columbia
King Curtis 8th Wonder Atco
Swamp Dogg Do You Believe Elektra
Lonette McKee Do It To Me Sussex
Simtec & Wylie Nine Times Out of Ten Mercury
Soul Survivors Turn Out The Fire Atco
Rufus Thomas Do the Funky Penguin Stax

I have no doubt that with more time, many more 45s would have made it home in my luggage.

Jah Shaka "remix"

A couple of months back, while digging at a house sale, I came upon an odd selection of LPs. Amongst the Nat King Cole Christmas records and the odd Bing Crosby joint, I found some interesting wax.

One of them was a Jah Shaka Far I Ship Dub LP that contained 2 sides of dubs. The LP is from the UK in the early 90s on the Jah Shaka Music label. I enjoyed the rumbling that the LP gave my house.

This got me to thinking that maybe I would try to mix one of the hotter tracks. I attempted to give the cratedigger treatment to Far I Ship Dub. I have a long way to go with developing my skills in this area, but you have to start somewhere.

Here is my attempt at a "remix" of this track:



Here is a link:

cratedigger fari ship dub remix

check out this holiday gift

I got a set of these slip mats from A. Toots as an early gift. They look really sweet on the 1200 mk 3s...

In Dangerous Rhythm 1500th post mix

Hi everyone in the audience...

Sorry about the extended absences, but travel and life in general have gotten in the way of posting...

Colin over at In Dangerous Rhythm has done a new mix in celebration of his 1500th post.

Check it out here.

IDR 1500 Mix

Some digs this weekend

I had some extra time this long weekend, and I had the chance to hit one of my favorite record spots.

The digging was pretty uneventful, other than I had to keep a couple of bored 4 year olds away from my portable and I also had to keep a dog away from my keeper pile. I felt that I had a pretty good afternoon. I spent some time today cleaning these up, but I have not given all of the records a spin yet.

I spent roughly 2 hours and came up with the following:

45s
Hank Ballard "Finger Poppin' Time" King
Bobby Blue Bland "Blue Moon" Duke
James Brown "Stoned To The Bone" Polydor
James Brown "Make It funky" Polydor
Solomon Burke "I'm Leaving On The Late Late Train" Chess
Chairmen of The Board "Finders Keepers" Invictus
Chi-Lites "Troubles A Comin" Brunswick
Chi-Lites "Being In Love" Brunswick
George Clinton "Atomc Dog" Capitol
General Crook "Gimme Some" Down To Earth (this seems to be more common than I thought)
Crown Heights Affair "Foxy Lady" De-Lite
King Curtis "This is Soul" Atco
King Curtis "Soul Seranade" Capitol
Detroit Emeralds "You're Getting' A Little Too Smart" Westbound
Detroit Emeralds "I Bet You Get The One (Who Loves You) Westbound
Dramatics "Thankful For Your Love" Volt
Dramatics "(Gimme Some) Good Soul Music" Volt
Dynatones The Fife Piper HBR
Esquires "Listen To Me" Bunky
Five Flights Up "Black Cat" TA
Franklin, Aretha "Don't Play That Song" Atlantic

LP

King Tubby "Dub Mix Up" Jamaican Recordings

I came across another lead for digging in the area, so I hope to make it out over the next few weeks.

Hip-Pocket Recordings

I received an interesting package in the post the other night. In the package there was roughly 20 colored envelopes that enclosed many choice sounds from the 67-68 time frame Bobby & James Purify, The Seeds, The Syndicate of Sound, etc.

The envelopes contained Hip-Pocket Records that were a product from Philco-Ford, that had a place in the market from 1967-68. Above is an image of the Hip-Pocket packaging that I borrowed from WFMU.

Here is a discography for the Hip-Pocket catalog:

Number	Artist	Title
HP-1	Tommy James & the Shondells	Mirage / I Think We're Alone Now
HP-2	Tommy James & the Shondells	Hanky Panky / Gettin' Together
HP-3	Sam The Sham	Ju Ju Hand / Wooly Bully
HP-4	Mitch Ryder	Jenny Take a Ride / Sock It To Me Baby
HP-5	Neil Diamond	Girl, You'll Be A Woman Soon / Cherry Cherry
HP-6	McCoys	Fever / Hang on Sloopy
HP-7	Happenings	Go Away Little Girl / See You in September
HP-8	Sonny & Cher	I Got You Babe / The Beat Goes On
HP-9	Doors	Light My Fire / Break on Through
HP-10	Five Americans	Western Union / Sounds of Love
HP-11	Wilson Pickett	Land of 1000 Dances / Midnight Hour
HP-12	Percy Sledge	When A Man Loves A Woman / Baby Help Me
HP-13	Otis Redding	Shake / Fa-Fa-Fa-Fa-Fa
HP-14	Buckinghams	Kind of a Drag / Lawdy Miss Clawdy
HP-15	Arthur Conley	Sweet Soul Music / You Don't Have To See me
HP-16	Van Morrison	Brown-Eyed Girl / Midnight Special
HP-17	Neil Diamond	You Got To Me / Solitary Man
HP-18	Young Rascals	A Girl Like You / I've Been Lonely Too Long
HP-19	Spanky And Our Gang	Making Every Minute Count / Bird Avenue
HP-20	Keith	98.6 / Ain't Gonna Lie
HP-21	Lesley Gore	You Don't Own Me / That's the Way the Boys Are
HP-22	Jay and The Techniques	Apples, Peaches, Pumpkin Pie / Loving For Money
HP-23	The Fallen Angels	Room At The Top / Most Children Do
HP-24	Aretha Franklin	Respect / Soul Serenade
HP-25	John Fred and his Playboy Band	Judy in Disguise / No Letter Today
HP-26	The Seeds	Pushin' Too Hard / Can't Seem To Make You Mine
HP-27	Box Tops	The Letter / Happy Times
HP-28	James and Bobby Purify	I'm Your Puppet / Goodness Gracious
HP-29	Syndicate of Sound	Little Girl / Rumors
HP-30	Shirelles	Soldier Boy / My Heart Belongs To You
HP-31	Etta James	Tell Mama / Security
HP-32	The Dells	There Is / Show Me
HP-33	Bo Diddley	I'm A Man / Song of Bo Diddley
HP-34	Chuck Berry	Maybelline / Roll Over Beetoven
HP-35	Country Joe and The Fish	Not So Sweet Martha Lorraine / Masked Marauder
HP-36	Joan Baez	There But For Fortune / Pack Up Your Sorrows
HP-37	Rooftop Singers	Walk Right In / Tom Cat
HP-38	Brenton Wood	Gimme Little Sign / Oogum Boogum
HP-39	Fantastic Johnny "C"	Boogaloo Down Broadway / Got What You Need
HP-40	Brenda and the Tabulations	Dry Your Eyes / When You're Gone
HP-41	Isley Brothers	Twist And Shout

The majority of my Hip-pockets are unopened, but there are a couple that have the seals broken. I plan to give these a spin on the 1200s tonight.


The discs themselves look like mini records, but are made of a flexible, bendable material, not unlike some of the sound sheets that would appear in magazines in the 60s or 70s. They spin at 45 RPM, but they are so small in diameter that it requires the use of a non returning tone arm to play them. Above is a picture of the mini turntable that was available to play these little records.

Apparently, these records were only on offer at your local Ford Dealer or a Woolworth's outlet. The suggested retail price was $.69.

Here is the marketing speak that appears on many of the envelopes:

Buy the hits you missed

25 to 50 hip pocket records can be carried in pocket or purse

Hip pocket records can be mailed with greeting cards as a gift

They will outlast a regular 45

Drop them or sit on them...they are almost indestructible

Take them to parties or to the beach or picnic...they are the most portable form of music

Don't let the small size fool you...the sound is amazingly big

Start your collection of hip pocket records today.

I wonder if FOMOCO ever offered the player as a dealer installed option. My 66 Mustang with an under dash record playing unit would be way cool.

Fufu Stew Thanksgiving post

Please jet over to FuFu Stew for Vincent's A Fufu Stew Thanksgiving Mix,
I contributed a few tracks to the mix as did many other soul and funk aficionados.

There are three parts to the mix, to coincide with Vincent's typical Thanksgiving meal. There is literally a ton of tasty treats on offer of both the soul and funk variety so please stop by, pull up a chair and don't be shy about asking for a care package (doggie bag) before you leave.

Have a great Thanksgiving everybody!

New Mix--Street Tax

Hey all you soul and funk fans. Sorry that I have been out of pocket so much lately, but working for the man, sure has a way of taking up your time.

I have been able to do some digging a couple of times a month and have been able to find loads of dirty, affordable 45s. These lost treasures form the basis for the latest mix, which I am calling Street Tax.

The lovely picture above was contributed by a longtime cohort, The Colonel. I believe that the picture was taken somewhere in Oregon. He has this to say, "(I) can't decide if he is a cowboy airforce vet or a civil war figurine?"

The selected tracks are a bit all over the place with some more common songs butting up against more deep tracks. Toots was very helpful in assistance with digging and found some of the discs that make up this mix.

Once again, the 1200s provided the means with which I recorded the discs to my macbook. All cuts were taken from original 45s, excepting the Ike & Tina cut which was pulled from the original Come Together LP.

I hope that you dig it.

Here is the tracklist:


street tax- a cratedigger compilation

01 The Impressions (Baby) Turn On To Me Curtom
02 Luther Ingram I Can’t Stop Koko
03 Isley Brothers Pop That Thang T Neck
04 Fantastic Johnny C Hitch It To The Horse Phil LA
05 Willie Henderson Funky Chicken Pt 1
06 Fabulous Counts Get Down People Moira
07 Lou Courtney What Do You Want Me To Do Epic
08 Lee Dorsey Workin’ In The Coal Mine Amy
09 Ike & Tina Turner I Want To Take You Higher Liberty (LP Cut)
10 Willie Hutch Brother’s Gonna Work It Out Motown
11 Ray Charles Booty Butt Tangerine
12 James Brown Soul Power Pt 1 King
13 Bobby Blue Bland Bobby’s Blues Duke
14 Dobie Gray The In Crowd Charger




Download link