I went up to the northern neighbor of our fair state yesterday in quest of some new 45s. By this I mean, I went to Wisconsin and in more specific terms, I went to Milwaukee to a small record show that I go to a few times a year. It takes place in a small bowling alley, that seems to be afraid of turning on the heat. No matter, I found a few sides to heat up the Cratedigger reference system.
Give Me One More Chance Wilmer and The Dukes (aprhodisiac) The Funky Judge Bull & The Matadors (Toddlin' Town) I Likes To Do It The People's Choice (Phil LA of Soul) Clean Up Woman Betty Wright (Alston) A. Toot's hot hand found this one. C'Mon & Swim Bobby Freeman (Autumn) Back Street Edwin Starr (Ric-Tic)
01 Good Old Music-Parliaments (Revilot) 02 You’re Getting A Little Too Smart-Detroit Emeralds (Westbound) 03 The Whip-Pal & The Prophets (Phil La of Soul) 04 Do The Dirt-The Meters (Reprise) 05 Hooray For The Salvation Army Band-Bill Cosby (Warner Bros.) 06 Jungle Strut-Ramsey Lewis (Columbia) 07 Boo Ga Loo Baby-Tommy & Cleve (Checker) 08 Groove Me-King Floyd (Chimneyville) 09 Since The Days of Pigtails and Fairy Tails-Chairmen of The Board (Invictus) 10 The Baby-Blackbyrds (Fantasy) 11 You Say It-Al Green (Hi) 12 Escape-ism Pt 2&3-James Brown (People)
I would like to give a HUGE shout out to Vincent The Soul Chef for letting me into the kitchen with my Technics and my records. It is a true honor to be among the soul blogging cognoscenti. Many more years of successful digging and blogging to you, my friend.
Also Special thanks to The Colonel for the Bend OR snow action shots.
Head on over to Fufu Stew post haste and check out the latest:
Ever since I found a cop of Push Push at a yard sale a year or more back, I have been getting into Herbie Mann. Meaning, I pick up his stuff whenever I can.
I found the LP Memphis Underground in a budget section of a record shop a couple of weeks back. It was $.99. How could I pass it up?
Herbie just wails, starting on the first track, which is the title track. Roy Ayers provides a nice accompaniment with his tasteful use of the vibes. At times the guitar provided by (I am guessing) Sonny Sharrock provides an excellent counterpoint. Some nice sustain and distortion rages there.
The cover version of Hold On I'm Coming is interesting as well. Mann takes the vocal lead with his soulful flute. The band behind him builds a strut base from which he riffs. There is a killer drum break with Herbie just going crazy over it. Solid. Towards the end, Mr. Sharrock lifts off into a dissonant orbit. I was not really expecting the track to come unhinged like that. Tons of skronkity, string bending and stretching is in effect.
Chain of Fools starts the second side. More of a swamp feel. When the fuzzed out guitars start to ring of Mr. Ayres vibes, there is a decidedly acid rock feel going on. This LP is from 69, so I guess that makes sense.
The set ender, The Battle Hymn of The Republic, loses me a bit, though. Over all, this is a solid set, and if you have been reading this far, I am sure that you need to get a copy of your very own. I have uploaded a track to give you a taste for what you are in for. Enjoy!
Above, is a shot of my new Ikea Expedit Record Shelf. Thanks to A. Toots, I now have a wall unit that will (hopefully) hold my LPs. A side benefit is that I will now be able to have all of my 12 inchers in one room. I am psyched!
Putting the large Expedit together is a definite job for 2 strong people. It is pretty heavy and very unwieldy to hoist up on the wall. I also put some bolts into the wall on both the upper left and upper right to hold the unit once it starts getting loaded up with vinyl. The unit itself seems to be very sturdy and judging by all of the shots that I have seen on the internets with Expedits holding other collections, I think that I should be fine.
By the standards of most, I don't have all that many records, but it is always a challenge to keep everything in order.
Also notice my Robt. Williams litho and the Coffy poster on the other wall.
From a recent digging trip, I came up with a stereo copy of Yusef Lateef's Live at Pep's LP. The cover is in great shape, and you know how those Impulse! LPs from the 60s look-- nice glossy covers with sharp color photos. The disc itself was in VG + shape. I was sold.
Since it is an unbelievably dreary Sunday afternoon, it seems like a great time to share some jazz.
The personnel on this set include: Yusef Lateef tenor sax, oboe, argo, and shannas Richard Williams trumpet Mike Nock piano Ernie Farrow bass James Black drums.
Recorded June 29, 1964
Also of note, Rudy Van Gelder engineered this disc. Having been a more passive consumer of jazz, I am looking to make it a more active endeavor, and to that point, Mr. Van Gelder seems to show up on a lot of sets that I find pleasing.
Mr. Lateef draws from a wide range of influences and uses the oboe to great effect on this set. Some of the more out there instruments argo and shannas are put to use and end giving a distinct feel to his musical selections.
To that end, here is a track called The Magnolia Triangle from side two of Live at Pep's. That odd tone at the beginning and at the end of the track is produced by the aforementioned argol. Apparently this is a "twin piped reed instrument from Syria." It reminds me of some of the Pipes of Pan type noises that are all over the Master Musicians of JaJouka...
I especially dig on the drum break and the ensuing section, where the trumpets hooks up into the groove.
I thoroughly enjoy this LP, go out and find a copy for yourself!
Sorry I have been MIA. I have been traveling to pay the bills. but trying to get some digging in wherever my travels have taken me.
I also experienced the loss of my trusty mac book, so that has been a bit of a setback.
In celebration, I have gone deep into the cratedigger vault to assemble a mix of art rock that I call the knockingshop.
I am sure that I will catch some grief for this, but I don't really care. As long as the music is weird, the guitars(sometimes) are loud, and the end result doesn't verge too close to prog, I am pretty comfortable with the genre.
For me, art rock seems to spin around the central hub of Brian Eno. He (or his direct influence) touches many of the tracks on knockingshop. He performs, directs and sometimes produces various items on this sonic menu.
Adrian Belew is another character that has his sonic fingerprints all over the mix. His wailing guitar stylings are a hallmark of artrock as well, methinks.
All of the tracks were gathered from original LPs that I had collected in various crates around the homestead. I had a lot of fun taking a trip down memory lane putting this one together. Hope you dig it.
Here is the tracklist:
cratedigger knockingshop
01 DJ David Bowie 02 Lone Rhino Adrian Belew 03 Third Uncle Eno 04 Man Machine Kraftwerk 05 Worlds in Collision Jerry Harrison 06 Cars Gary Numan 07 Miss Shapiro Phil Manzanera / 801 08 Cross Eyed & Painless Talking Heads 09 Trash Roxy Music 10 Neil & Jack & Me King Crimson
Old friend, DJ Colonel sent me some of his radio shows. As you might remember from a few months back, I posted a few DJ Colonel mixes. The show below is from his Bend OR radio program.
I don't think that he is podcasting yet, but in DJ Colonel's own words, "Come on daddyo, give dem people what you know they need. peace, colonel."
Here tis:
01 Caution Bob Marley & The Wailers 02 Dub The Line Gregory Isaacs 03 Watermelon Man Baba Brooks Band 04 No Time ft. Military Man Capelton 05 Reggae Fever Steel Pulse 06 Picture on The Wall Lion Inn Jungle 07 Gone Down Dezarie 08 The Killer Jah Stich 09 Ganja Plant Rider 10 ft Ganja Plant 10 Pass De Kahn Abja 11 Effortless Dub Greenstars 12 Free Man The Ethiopians 13 El Pussycat Roland Alphonso 14 World a Reggae Ini Kamoze 15 Hustler Ky-mani Marley
This time around in cratedigger labs, I mixed it up a bit and there is a mixture of soul, funk and more jazz grooves than I have thrown down in the past.
I have been working on the new gear to get the best sound, so I hope that I was successful. I think I made all the fades...
I call it "Down and Dirty," Dig It!
Here is the track list: 01 Intro Christopher Recordings 02 Here Come The Judge Shorty Long Soul 03 Sho Nuff Jimmy McGriff Sunset 04 A Funky Space Reincarnation Part II Marvin Gaye Tamla 05 Cloud Nine Temptations Gordy 06 Huracan Cal Tjader Crystal Clear 07 Hey Big Brother Rare Earth Rare Earth 08 Party Freaks Pt 2 Miami Drive 09 Hey Mr. DJ Bobby Moore Checker 10 Kufanya Mapenzi (Makin Love) Ramsey Lewis Columbia 11 Got Pleasure Ohio Players Westbound 12 Stop Her On Sight (SOS) Edwin Starr Ric-Tic
This mix was compiled from all original vinyl sources, most of them being the 7 inch 45 variety. The records themselves were found in the bottom of dusty crates in and around Chicago and the northern IL area.
Based on the post below, this is a follow up in getting my 1200s set up for success in the sonic realm.
I got a replacement Shure Whitelabel cartridge and stylus in the mail. This package contained some instructions, which helped me set up the turntables correctly, finally.
I put the new cartridge on the right 1200 which had the quieter cartridge as judged by listening the the loud Ramsey Lewis 45 as described below.
The directions instructed me to take the tonearm off the rest, and then crank the counterweight all the way back so that they tonearm is sticking up in the air, kind of like a seesaw with a fat kid on one side. Then, I turned the counterweight so that it was "floating" just above the Material record that I had on the platter. I then set the dial on the tonearm to the zero setting. Next I moved the counterweight so there was 2 grams of force on the tonearm. I then spun the Material LP and it tracked perfectly. It's sonic output was also boosted, so my replacement is deemed a success.
I then set up the left 1200 with the counterweight set up as described above. I tracked a Tangerine Dream LP from 75 and it tracked perfectly as well.
A successful day in the lab, after a 60 mile road trip in the funkwagon in search of more vinyl.
I have been using Shure White Label cartridges that came with the 1200s that I bought a few months back, and I thought that they sounded pretty good. I even spent the money to get some new styli so that I wouldn't be killing my vinyl with worn needles...
I recently upgraded the mixer and over the weekend, I set out to make a mix of some of my recent finds. I hooked up my macbook to my amp, fired up garage band and started mixing.
Listening, and watching the meters in GB showed that one of my tables was much quieter than the other. At first, I chalked this up to the fact of the variety of mastering levels, mono v. stereo etc. So I finished up the mix with the 45 of Makin' Love by Ramsey Lewis. This is a pretty loud and full sounding groove on any day, but on this day it was darn near deafening.
Something was up. I took the record and put it on the right table, and it was definitely quieter. Next I switched the whitelabels from one table to the other. Now the right table was louder, and the left was the quiet one. I then switched the styli from one to the other. That did not have an effect on the Ramsey Lewis 45. The same right 1200 was louder than the left. So I don't think that the styli are the culprits.
One of my whitelabels is more quiet that the other. I verified by listening to the mix that I made, and there was only so much EQ, that I could throw into the mix after the fact.
Early this morning, I ordered another whitelabel. Once I get it, I will match the new with the better of the two cartridges that I currently have.
I thought I would share some thoughts about some recent LPs and tracks that I have come across. The Chambers Brothers Greatest Hits. The title is a misnomer, of course. I am not a Billboard Hot 100 scholar, but really come on "Time Has Come Today" is the only hit I know of. The set opener "Funky" has a nice short break at the beginning. The LP version of "Time Has Come Today" has a much longer freak out / jam/ break than the 45 version that I have had for years. Look for this break to appear on a cratedigger labs release in the near future, sound pilgrims.
Side 2 contains a track that has much backwards weirdness and sound effects ala "Time Has Come Today" and was a nice treat that I had not heard before. The name checking the Eric Burdon does on the track Monterey has not aged very well. The music is light as well. Not any of the Gratefully Dead unreleased single swagger is evident. Searh that track out as it has Burdon's growl, backwards guitars like Hendrix, and has that heavy acid sound that Chas Chandler (early Animals bassist, Jimi manager) became known for.
My ears perked up a bit when the stereo effects of "Closer To The Truth" where a blues dirge and and out of tune guitar line and twisted in a most peculiar way.
The hippie acid and horns concoction that M. Burdon brews up on this release is nothing to get charged up about. His acid soaked lyrics suggest a sophomoric obsession with Louis Carroll type topics. I won't be spending much time with this one.
I have been checking out some stuff lately, and to paraphrase good buddy Iowahawk,
"The House Recommends" the following:
Kid Dyno and crew has a great new podcast called Breaks for Days Radio. Check it out. Admittedly, I am not much of a hip hop head, but Kid Dyno put together a cool mix with which I enjoyed expanding my listening palette.
Vincent @ Fufu Stew has a New Year's Mix called Fufu Funk Mix #4 1/2. How deep are his crates? I can't believe the volume and quantity of the mixes that he shares with us all...
DJ Blueprint is continuing his guest mix series at This is Tomorrow. There is always something new there- either a new mix, a dusty 45, or something else cool, such as the list he shares dedicated to all of the music people who left us in 2007. Definitely check this one on the regular.
Scholar at Souled On, has a feature called "Cover My Ass" on offer. Here he shares the history behind a track and then serves up a cover version. The quality of writing here, truly allows Scholar to live up to his moniker. Learn something...
Heavy Soul Brutha Dave has a new mix up called Four Quads per Channel Mix. Dave is pushing a tribute to the 70s with this mix of LP tracks. Check it out.
I was very excited to find a new digging spot out in the hinterlands of northern IL, roughly the area that was hit by tornado action earlier this week due to the extremely warm and unseasonable weather here in the scenic Midwest.
For a 35 mile (one way) trip, I think I may have a new place to hit again and again. This place has tons of LPS and upon leaving, I discovered that they also have a lot of 45s that need to be sorted as well. I shall return with the Vestax portable, hopefully on Saturday.
From a quick visit, I came up with the following:
Beau Brummels Laugh Laugh Autumn Budgie S/t MCA import Eric Burdon and The Animals The Twain Shall Meet MGM Chambers Bros. Greatest Hits Columbia Bill Cosby Why Is There Air? Warners Honestly, I love Cos' 60's comedy. I am hoping to score some of his funk 45s... Hey Hey hey. Temptations Cloud 9 Gordy
There is a ton of stuff that needs to be in me crates, there, I can feel it.
I felt that the cratedigger reference system needed an upgrade, especially since I was never a fan of the old mixer, anyway.
I picked the above Vestax online (with free shipping and no sales tax, to boot). I hooked it up the other night, but last night gave its' first real workout.
There is quite a big sonic upgrade over the last mixer. The actual sliders and the fader seem to be of higher quality as well. We will see.
I am considering getting some powered monitors in the upcoming months. This unit has xlr outputs, which should allow for more brick rattling sound.
Happy Holidays and Happy New Year to all cratedigger visitors and regulars.
I think that this blog and my knowledge of music has come a long way over the past year. Thanks for stopping and for all of your input (and comments.)
In thanks, please find the latest mix from cratedigger labs, imaginatively titled dec 24 mix.
I have culled these sides from a variety of real world sources, junk stores, record shops and garage sales, mostly from the Northern IL area, but there are a number of tracks that were rediscovered on a recent trip to SF.
The odd pic above is from a house party during last summer.
Hope you dig. Best in 2008!!!
dec 24 mix tracklist
01 Intro-Shure Brothers 02 Detroit Emeralds I Bet You Get The One (Who Loves You) Westbound 03 Intruders Turn The Hands Of Time Gamble 04 Stereo’s Stereo Freeze Pt. 1 Cadet 05 Meters Sophisticated Cissy Josie 06 Dynatones The Fife Piper HBR 07 Solomon Burke I’m Leaving on That Late Late Train Chess 08 Kool & The Gang North, East, South, West De-Lite 09 Simtec & Wylie Nine Times Out Of Ten Mercury 10 Chi-Lites Being In Love Brunswick 11 Lonette McKee Save It (Don’t Give it Away) Sussex 12 Rufus Thomas The Funky Penguin Pt. 1 Stax 13 Swamp Dogg Do You Believe Elektra 14 King Curtis 8th Wonder Atco
I vividly remember the first time that I saw Ike and Tina perform, when I was but a wee lad. It was a Saturday morning in the very early 70s. I was at the Sears store with my pops and he was buying some tools or something, but as usual, I got distracted in the electronics department.
Soul Train, or some similar show was on all 40 black and white and "living" color tv sets. The main thing that I noticed was that the volume was cranked on all the sets, when usually the volume was muted.
There was this incredibly hot woman in the shortest of skirts and the tallest of boots (silver, perhaps?) that was singing he lungs out in front of a tight band that was bordered by a series of HUGE Orange speaker cabinets. I was staring at the biggest set and one of the sales dudes, said, "Hey Lil' Man, you're watchin' Tina Turner!!!" I think the song was Proud Mary.
At the time, I had no idea what role Ike Turner played in any of this, but as a little kid in Chicago, I thought this was up there with James Brown, Stevie Wonder and The Jackson Five.
I was traveling today, so more out of the pocket than normal, when I saw in the NYTimes that Ike Turner had passed away in San Diego at the age of 76. He was known as both Izear Luster Turner Jr and Ike Wister Turner and was born in the Delta town of Clarkdale Mississippi.
It boggles the mind to consider that Ike wrote the song Rocket 88 (at least the intro and 1st verse) all the way back in 1951! That was 20 years and more before I was grooving to Ike & Tina in the early 70s. I learned about the Jackie Brenston and the Nightcats much later in my life, but I still enjoy hearing it even now. I can't imagine what an effect a song like that may have had way back then. The Times said Ike was paid $20 for the record that went on to sell 500,000 copies on Chess Records.
In 1958, he was working the St. Louis scene and met Anna Mae Bullock, whom he later named Tina Turner. I will spare all the detail of their ups and downs as they are well documented elsewhere.
As always, music always speaks better than words anyway. The music lives forever.
In remembrance, here is an Ike and Tina funky track that I included on a mix earlier this year, Funkier Than A Mosquitos' Tweeter.
I got back from a few days in the SF Bay Area recently. In my spare time, I hit some of the vinyl emporiums around town. I visited a total of 5 stores. I felt that 2 were worthy of a return visit.
I love that city. I can only imagine what shows up at house sales. It also seems that Serrato/Skratch has taken over all DJ booths. Vinyl has fallen from favor. I bet if you look it is all over the place...
I came up from the depths with the following:
LP
An Audio Obstacle Course- Shure Trackability Test Record for Stereo Cartridges
45s
Byrds Feel A Whole Better Columbia King Curtis 8th Wonder Atco Swamp Dogg Do You Believe Elektra Lonette McKee Do It To Me Sussex Simtec & Wylie Nine Times Out of Ten Mercury Soul Survivors Turn Out The Fire Atco Rufus Thomas Do the Funky Penguin Stax
I have no doubt that with more time, many more 45s would have made it home in my luggage.
A couple of months back, while digging at a house sale, I came upon an odd selection of LPs. Amongst the Nat King Cole Christmas records and the odd Bing Crosby joint, I found some interesting wax.
One of them was a Jah Shaka Far I Ship Dub LP that contained 2 sides of dubs. The LP is from the UK in the early 90s on the Jah Shaka Music label. I enjoyed the rumbling that the LP gave my house.
This got me to thinking that maybe I would try to mix one of the hotter tracks. I attempted to give the cratedigger treatment to Far I Ship Dub. I have a long way to go with developing my skills in this area, but you have to start somewhere.
